Role Of Conflict In Macbeth

Friday, November 5, 2021 3:16:34 AM

Role Of Conflict In Macbeth



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Macbeth Lesson 7: Internal Conflict

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When Macbeth arrives, Lady Macbeth states she can read in his face what he wants to do. This is her specifically saying what he is thinking in order to manipulate him into believing that he was the one who initiated the idea0. This is creating an appearance vs reality theme and is her saying that in order to deceive suspicious people, he must appear the way they expect him to look. By using this language, Shakespeare portrays Lady Macbeth as a manipulative woman. This enforces the view that she envisions herself as a ruler. Moving to Act 1 Scene 7, is where Macbeth has another soliloquy in which he is conflicted within himself of whether he should or should not go through with it, e evaluates the positive and negative consequences of committing regicide.

Despite this, Macbeths loyalty and nobility deters him from deciding to kill the king. This is because, at that period, killing the King was considered a grave sin, almost like killing God due to the divine right of passage. Macbeth then settles his conflict and definitively decides that he will not kill King Duncan. Almost, straight after this, Lady Macbeth arrives. By using the term business, Shakespeare puts a certain coldness to the situation and takes out the emotion from it.

By using belittling language, she provokes him into feeling worthless as he cannot please his wife. The power dimension also shifts during this scene and it is Lady Macbeth who is being the authoritative figure in the relationship. Macbeth then retorts towards her and tell her to stop urging him to kill the King. This creates a tension and conflict in the relationship, which Lady Macbeth, being determined not to let it foil her plans, dismisses this. He explains to her that he would rather his legacy and this seems to spark passion within Lady Macbeth as Macbeth insinuates that he has chosen the King over her.

She furthermore goes on to virtually call him a coward by saying she would have rather killed her own child than go back on her word. By accentuating her own masculinity and querying his, she creates a conflict between the two of them. This is her attempt to reinforce his virility but this could create hostility and emotional distance between the two of them. This could demonstrate the emotional dominance that Lady Macbeth has over him and how emotionally vulnerable he is.

Lady Macbeth responds by telling him to man up and Macbeth compliments her strength and says their children will surely be men because of her strength. At this point, their relationship is passionate and obsessive almost. Its seems also, that some potential sexual passion exists between them. Shakespeare does this as commendation towards the witches.

The witches speak in rhyming couplets and Macbeth is using rhyming couplets as he and his wife decide to kill the king. He also makes a reference to the witches and Hecate, the goddess of the moon and witchcraft, whom their main source of magical powers is nature. Act 2 Scene 2 is when we next see Lady Macbeth which is after the murder of the King. Their attitudes towards the situation is them trying to falsely a strong we can clearly see that they are frightened.

Shakespeare displays this by using cleverly illustrated broken syntax and stichomythia. By exchanging momentary, brief dialogue it could show that they are uncomfortable with the situation at hand. Nonetheless, it could signify the strength of their relationship as they do not need to speak to each other and can even use eye contact to communicate with each other. In this Scene, Macbeth seems to have more dialogue than Lady Macbeth, signifying that he is taking back supremacy over Lady Macbeth.

The shift of power dimension in dialogue throughout the play is a demonstration of the conflict between them. They are both resilient characters and by putting them into a relationship, Shakespeare automatically creates a conflict between them, a clash of varying opinions. At a later time in the speech, Macbeth seems to be emotionally distressed by his actions. In the next scene, she uses his insecurity to goad him into murdering the King by calling him a coward. At first, Macbeth protests. Being less of a man than his wife is too much for his pride to bear, and Macbeth is forced to assert himself through violence. Ironically, by allowing his wife to talk him into something so against his morals, Macbeth is only emphasizing his insecurity and weakness of character, which are not masculine qualities at all.

This scene is very interesting in that an almost complete reversal of gender roles takes place. At the beginning of the scene, we see Macbeth as a brave warrior returning to his wife after winning a battle. At the end of the scene, Lady Macbeth is wearing pants. It is interesting that the four people responsible for drawing Macbeth to murder, the three witches and Lady Macbeth, are all women. Later on, Macbeth himself finds it necessary to goad someone into committing murder. Perhaps they are men, but there are all different types of men, and they are the cowardly, womanly types. Not a very nice thing to say! They believe that manliness is proven through violence, and a kingdom can be ruled through fear. They watch as the world crumbles around them, realizing that being King only has meaning if your subjects accept you as King.

You cannot just murder your way to power — power must be gained by earning the trust of your peers. The characters of Duncan, Macduff and Malcolm present an alternative version of manhood and kingship. When the Macbeths kill Duncan, they are killing compassion itself. Duncan is an embodiment of femininity — kind, gentle and trusting. The fault of the king is that he is too trusting and generous. When he learns that Macbeth has slaughtered his wife and children, Macduff is filled with sorrow. I cannot remember such things were That were most precious to me. Even men must be able to grieve and cry — to be sensitive to what their heart tells them. He leaves his wife and children unprotected when he travels to England because he cannot imagine someone would be so heartless as to murder them.

Tragedy befalls both Macduff and Duncan because they have too much of a feminine side. They are overly trusting, generous and tend to listen to the emotion of their hearts rather than the reasoning of the mind. Malcolm represents the ideal King because he is a balance between the purely feminine and purely masculine sides. Malcolm is the embodiment of these qualities. He has bravery and courage, tempered with mercy and generosity. His first act as king is to forgive all those who sided with Macbeth and relinquish some of his power to the nobles. In conclusion, Shakespeare uses this play to show us two very different ways for men to behave.

One, based on getting your way through pure strength and violence, is doomed to failure. The proper role is to be strong, yes, but to temper that strength with compassion and trust in others. In human nature, there must be a balance between masculinity and femininity, between yin and yang. Searching for an essay?

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